SHOES OF THE TRAVELER
By Mauro Gia Samonte
BOOK TWO
WORLD WITHOUT SHOES
CHAPTER I
BLOOD-STAINED FEET of a new-born infant boy were held up in
the air, clipped in the hands of a native midwife, who gave the already crying
baby another tap on its bottom, making it cry on. The infant Ka Mao was born at
a time when nations were at war against one another, kingdoms against kingdoms.
World War II had already broken out in Europe and the Axis Powers led by
Hitler, having overrun in a blitzkrieg the allied democracies, were now in a determined bid to conquer
Russia and thereby complete its onslaught of the entire European continent. In
the Far East, Japan, comprising the Asian wing of the Axis Powers, had already
annexed a big portion of China, had gone on a rampage across Southeast Asia and
was now poised to push the war all the way to the islands in the Pacific Ocean.
By the time the infant Ka Mao was five months old, Japan bombed Pearl Harbor,
finally forcing America to join in the global conflict; consequently, the
Philippines, too, being a colony of the United States since the start of the
century.
“No man is
born with shoes on,” Nanay Puping told the eleven-year-old boy who was
balancing himself as he trudged after her on the elevated footpath that snaked
across a vast sea of green which were the rice fields cradling the hills
yonder. They walked with their feet unshod.
“You were
only five months old when the Japanese came to our town and I had to rush you
to our coconut farm in Solpo to escape their cruelty. Other mothers were
carrying their own babies and little children to hide in the barrios and in the
mountains. All of us wore no shoes. Imagine if I had shoes on at the time, the
Japanese soldiers would have caught up with us.”
“I mean,
Nanay, why do we travel around now on
bare feet?”
“Because,
Maurito, we would be foolish if we walked with shoes on our feet. Like now, do
you suppose you’d be able to keep your balance on this pathwalk if you had
shoes on?”
Maurito,
the boy, stared wonderingly.
“Our life
seems meant for not wearing shoes,” continued the mother in mid-thirties
who herself did some balancing over the
very narrow footpaths that were actually the low walls of earth subdividing the fields into individual
patches; the subdivisions enabled farmers to pace their planting work, i.e.,
cultivating one plot at a time instead of one whole vast field all at once every time which would be very cumbersome.
She was carrying a rattan basket containing rice and soup in small pots and
viand of fish wrapped in banana leaves.
“Ay, if we are not working the
fields in the mud with your Tatay, we are helping him make copra in our coconut
farm. Or helping him out make hemp in our abaca farm in the mountain. Otherwise
we climb the mountain to harvest camote.
In all these works, do you think we need shoes?”
Nanay
Puping laughed, amused by thoughts that suddenly crossed her mind.
“Pity your
Tatay as he gets a harder time just getting his shoes off where they had stuck
in the mud than steering his carabao in
slicing his plow through the
earth. Or as he slides down a coconut tree because his shoes won’t catch on the
shallow steps carved out of the trunk of the tree.”
Maurito
could visualize the words of his mother and began being amused himself.
“He can
deepen the steps on the trunk,” he said.
“And make
the tree crack down altogether.”
They
laughed together.
Now the two
take the path on the slope that got steeper and steeper leading to the hilltop.
From here you get a breathtaking vista of the town of San Andres whose shores
are washed by waters of the San Bernardino Strait. It was a sunny day and you
could see clearly the entirety of the town. Prominent were the municipal
building and the 40-foot circular concrete water reservoir standing beside it
on top of a molehill toward the south end of the community. Toward the opposite
end was the church ancient for its façade and belfry, to the east of which was
the Calolbon Elementary School where Maurito studied and to the west, the
market just off the shore and the pier. If this were photography you had a view
that was beautifully lit, the focus set to infinity and the composition quite
in accord with the rule on landscape, two-thirds land, one third sky, with the
green of the foliage and of the rice fields in the plains in the foreground,
the town proper and the sea in the middle ground, and yonder Mount Mayon,
indeed, as goes the legend, sitting majestically on the ocean edge of mainland
Bicol. With that panorama, Paul Cezanne could have done a post-impressionist
work much better than his L’Etaque or
Joaquin Clausell a far more inspired impression than his famous La Vista del Pico de Orizaba.
San Andres,
which used to be called Calolbon, is in the west coast of Catanduanes, an
island province off the main Bicol peninsula. The province is the favorite whipping boy of typhoons that blow in from the Pacific Ocean,
though in many instances, it is just a reference point for storms that actually
make a landfall on the northeast coastal provinces of Aurora, Cagayan, and the
Batanes islands in Luzon.
This
geographical location must be one factor why until Maurito’s time, Catanduanes,
and hence San Andres, too, had remained underdeveloped. Save for hemp and copra
making, there hardly were any other sources of income for majority of the
Catanduanes people who lived in poverty. The sons and daughters of poor
families would seek livelihood elsewhere, some in more developed areas of the
country, like Manila. Even those with enough means were forced to look for
greener pasture, so to speak, by migrating abroad, mostly to the USA.
Maurito had
come to wonder why he and folks like him, big and small, travelled around on
bare feet: the toilers in the fields, the laborers in public construction
works, fisher folks going out to sea, the children going to school, and most of
those attending mass on Sundays.
In the case
of his father, Tatay Simo, Maurito would
seem to understand why. His very
industrious father would plow the family’s modest riceland for planting to
palay, climb up coconut trees to down the nuts for making into copra, climb the
mountain for planting or harvesting kamote, or otherwise making hemp from
abaca, and went out to sea on a small outrigger to fish.
Except in
the fishing ventures, Maurito accompanied his father in his work during
weekends, and like Nanay Puping he would tell himself, “How could Tatay
possibly do all these with shoes on.” He would amuse at his thoughts: Tatay
Simo’s shoes getting snagged in the
sticky mud as he plowed the rain-soaked field, or slipping on the shallow steps
chopped off on the coconut trunks, or causing clumsy footwork on the mountain
path traversable only by foot, because on foot, you could dig your toes into
the ground like spikes while walking and thus avoiding slips in the climb
uphill.
But in the
case of his grandfather Tay Celso, father of Nanay Puping, Maurito would stare
in seeming awe.
The tall
fellow with handsome Castillan looks would gait down the street to the church
in trim starched de hilo pants topped by a
well-ironed shirt called morona made from fine pineapple fabric,
and betraying none of his more than sixty years past, struck up the flair of a
Spanish don immaculately garbed for
Sunday mass – except that he walked barefoot.
Such
paradox!
Ka Mao
never got to solve it in his youth, nor
even in the many subsequent journeys he would take in life after that. Only in
a recent indoctrination session conducted for his family by INC Antipolo Pastor
Ka Wilson did Ka Mao think he got the
answer.
Ka Mao
showed to the pastor the worn-out sole of his Swatch by way of impressing him
on just how much travel he had already made in his journey to baptism.
Ka Wilson
said, “Observe this. When you walk with your shoes on, what happens? The soles
of the shoes get worn out. Right? “
Ka Mao
nodded.
“But walk
on your feet,” continued Ka Wilson, “do your soles ever get worn out, too? No.
Never. How amazing is God’s wisdom.?”
“They get
calloused,” jested Ka Mao.
“All the
better for walking,” replied the pastor.
Ka Mao had
a hearty laugh. But at the same time, he thought the revelation might be one
good sales pitch for the makers of his worn-out shoes.
“Only God
makes shoes for trips to heaven. Swatch is meant only for traipsing in the
pleasures of the world.”
Ka Mao
gasped to himself, “Imagine the millions upon millions of sin-loving people who
would catch on the spiel!”
Calloused indeed were the soles of Tay Celso, as
Maurito observed them in the old man’s walking to his regular Sunday communion
with God. The venerable Gianan patriarch would wear those calluses all the way
to his rest. Tay Celso died at the ripe,
fully-fulfilled age of 99 – just a year short of that of Abraham.
The Gianan
siblings took some time deciding whether or not to put shoes on Tay Celso’s
corpse in resting it inside his coffin. Ka Mao argued to himself, Why make
grandfather wear in his death something he detested to put on his feet in his
whole life?
In the end,
Tay Celso rested in his coffin wearing shoes. He lay there serene in his
immaculate garb of trim starched de hilo pants with his morona of fine pineapple fabric to match – with this big difference
from his regular Sunday walks to communion with God in life: leather shods now
wrapped the God-made shoes that had been his calluses-protected bare feet.
But did Tay
Celso reach heaven?
Only now
would Ka Mao shudder at the question. In the INC doctrine, no one outside the
Iglesio ni Cristo would be saved. And Tay Celso was born a Catholic, baptized a Catholic, grew up a devoted
Catholic, raised a family a Catholic.
As a matter
of fact, his coffin, as it rested in the living room of the Gianan ancestral
home during his wake, continued to be surrounded by framed photos of Catholic
saints, the crucifix, Virgin Mary as the Our Lady of Perpetual Help, and a
large statue of St. John, the Baptist, which the Gianans kept for the Catholic
Church, for parading together with
similar statues of Christ and other saints during the Catholic
observance of the Holy Week. These are what the INC condemns as diyus-diyosan or false gods, worship of
which is a terrible sin...
CHAPTER II
BELLS rang in the belfry, signaling the start of a church
ceremony.
In the
sacristy of the Calolbon Parish Church, a month-old infant kicked its feet shod
with typical baptismal shoes. Crying, the infant wiggled in the arms of Nanay
Puping as the priest poured water on its head, pronouncing the baptismal
blessing for the infant Ka Mao.
“Those were
the first shoes you ever wore,” Nanay Puping recalled to Maurito as they
struggled their way up the steepest slope on top of which stood the century-old
narra tree signaling the end of their journey. It had been raining the night
before and the soil was extremely slippery; they had to dig their toes deep
into the earth or they would go slipping down the hill.
“First
shoes? The only ones,” said the boy.
Nanay Puping stared, wondering.
“I don’t
remember having worn any until now. The best I could wear to school is bakya.”
Bakya is an improvised slipper made from
wood with strap recycled from discarded car tire. The strap was painted with
austere flower design to make the clog attractive.
Up to the
fifties, bakya was a common footwear
for those who could not afford to buy shoes. Even in Manila, people wore them
in their daily travels, and those were the kind of people who loved to go to
the movies. For that reason, Lamberto Avellana, the film director whose movies
rated good with the critics but not with the masses of film audience,
coined the term “bakya crowd”, to refer to lovers of movies by such popular
directors as Armando Garces or Artemio Marquez.
In a
fifth-rate town like Calolbon, bakya did
serve, too, as barometer for your rung in social standing. In the case of
Maurito, in a most pronounced way
Shortly
they reached the spot by the foot of the
narra tree. A small fire was burning in the improvised stove. Close by, a man
of modest physique, with highly Malayan features on his face and wearing a crew
cut for his hair, was hard at work in making hemp from abaca pulps. The spot
was half-circumscribed by abaca plantation from where were harvested the pulps
the man was working.
He simply
threw a glance at the two arrivals, uttering no word for a greeting. Neither
did the two. It looked as though, for him, the arrival was a matter of course,
and for the two, to find him there working; nothing was unusual about their
coming together now that needed wording of any kind; it was enough that they
acknowledged one another with glances.
“If we had
shoes on now, we would have been tumbling down the hill with every step we
made,” said Nanay Puping. “Only on foot can you climb up to the mountain,
because you can dig your toes into the ground like spikes and avoid slipping in
the steep climb.”.
“But it’s
not for climbing to the mountain that I need shoes now,” countered Maurito.
“It’s for the boy scout jamboree on Monday night.”
The man
doing the hemp paused for a moment. He knew what Maurito meant. He would rather
not think about it. He resumed his work.
Nanay
Puping realized now what Maurito was leading up to. She ached inside but
avoided the topic. She proceeded to set the pot of soup of magisara
shell on the improvised stove while calling out to the man.
“Have a
rest, Simo. I’ll be just a minute heating
up this magisara. Then we can
eat lunch.”
“Yes,” said
Tatay Simo as he gave the abaca pulp a mighty pull through the implement for
making hemp.
The
implement was called in Bicol ha-got.
It consisted of steel a foot and a half
long, three inches wide and one fourth inch thick one side of which had been
made like a saw and fitted like a clapper
on a block of wood set on a stand. The steel would be clamped down crosswise
such that its teeth dug deep into the flesh of the abaca pulp. The pulp end at
the ha-got would then be rolled
tightly on a wooden peg which served as handle for pulling the pulp through the teeth of the steel
implement. That way the abaca fiber was separated from the pulp, for drying as
hemp. Think of a lady whose hair is completely enwrapped by dandruff and a comb
is run through it, with Clear shampoo to boot, and all that dandruff is flaked
off and what remains is the soft-flowing hair. That’s exactly how hemp from the
abaca pulps was made.
Philippine
hemp had gotten popular the world over as Manila hemp, and the best hemp in the
country is from Catanduanes where the abaca variety has fiber with long
enduring tensile strength.
Tatay Simo
repeated the process on the same pulp four times before being convinced that
the fiber he made was fine enough.
He exhaled
hard as he got done with the pulp.
Maurito
took Tatay Simo’s hand to pay him respect by pressing it on his forehead.
“Why did
you have to tag along with your Nanay? You’d be better off studying your
assignment lessons at home,” said Tatay Simo as he prepared to set another pulp
for pulling through the implement.
Maurito sat on the ground and keenly watched Tatay
Simo work.
“I need
shoes, Tatay,” the boy said.
Tatay Simo
threw a brief stare at him then continued his work.
“You
finished four years of the elementary without shoes. You can finish the next two
years without them.”
“We have
our boy scout jamboree at the plaza Monday night.”
“I thought
I told you to forget about that. You can pass by just minding your subjects.”
“I want to
graduate a valedictorian. Boy scouting can add to my grades.”
“Hey, you
two,” called out Nanay Puping as she set food
for lunch.”Let’s eat.”
The meal
was set on an abaca leaf laid out on the ground by the fireplace. It consisted
of rice scooped from the pot with a spoon done from coconut shell, two broiled
fish, and the shell soup contained in a bowl fashioned from coconut shell as
well.
Tatay Simo
stopped working and sat before the food. He took a sip at the soup bowl first.
Maurito,
hurting from the rejection he got from his father, suddenly got an idea. He set
up a pulp for making hemp and tried to pull it through the implement. He could
not move it. Still he tried, exerting all his young strength.
“Your son
is asking for shoes,” Nanay Puping told Tatay Simo as he began eating.
Tatay Simo
ignored the topic. He threw a glance at the boy.
.
“What’s he
doing anyway?”
Maurito
gave it his all in pulling hard at the abaca pulp, but his hands rolled on the
handle, causing the pulp to loosen up on it and get detached. He threw to the
ground.
Nanay
Puping hurriedly walked to the boy and scolded him with a whip of her hand at
his thigh.
“What are
you doing anyway?”
“I need boy
scout shoes.”
Tatay Simo
rushed to the boy’s rescue, shielding him from Nanay Puping while helping him
get back to his feet.
“Today is
Saturday,” Tatay Simo consoled the boy. “Two days to Monday. Let’s see if the
hemp can dry enough for selling.”
CHAPTER III
SUNDAY, as usual, was for going to church.
For
Maurito, too. Nanay Puping had raised him up on that obligation so that it was
deep in his consciousness that not going to church on Sundays was a big
sin.
And the
whole family always went together. Nanay Puping, cradling the infant Ellen in
her arms, sat beside Tatay Simo, while next to her in the order of age were the
two-year-old Violeta, the four-year-old Manuel, the six-year-old Jose, the
eight-year-old Raul, and Maurito at the end of the line. It made you feel good
to see the brood and their parents deeply listening to the homily of the
priest, including, it seemed, the infant who was quietly sucking its thumb.
Maurito had
other thoughts. Even as he listened, he kept whispering to himself, “God,
please… please…”
Maurito had
lost hope that his father could still provide the shoes he needed. Surely Tatay
Simo promised to buy him the shoes if the hemp dried up by Monday.
“What if it
rained,” he had told himself. “That would be a good reason for Tatay not to fulfill
his promise.”
Maurito
thought Tatay Simo had always been like that, promising and not keeping it. He.
remembered the last time there was a provincial public school athletics and
academic competitions in the capital and he had perfected his practice of a
piece for performing in a declamation contest. Tatay Simo promised to buy him
the required military attire; he failed to buy the uniform, Maurito failed to
join the competition, thus losing out on default in a contest in which he knew
he could easily have won the gold medal.
In his
young mind, Maurito couldn’t yet realize that
the family was poor and his parents
could not afford to give him means for the accomplishments he wanted to
have in his studies. Just providing for the children’s food was difficult
enough, no matter that the couple were truly hardworking. When rice from the
last harvest ran out – and most often it would happen months before Tatay Simo
could plant palay again – the family mainly thrived on kamote, alternated with
other root crops, like cassava, hupi or
galyang. They could eat rice in this
period only when Tatay Simo earned money from fishing, from selling copra and
hemp, which didn’t happen everyday,
Or
otherwise, when the store owner would let them get rice on credit, which had a
low limit.
Or on
election time.
For all his
lack of education, Tatay Simo was gifted
with an elegant penmanship which could easily qualify him for a writing job in
medieval style, but since there was none of it in Calolbon, he was exceedingly
glad just the same working as clerk in a voting precinct.
“Ay,
Dios mabalos,” Nanay Puping would utter in relief, making the sign
of the cross. Either that meant “Thank
God” or to a giver of a favor “God will
reward.” She was quite unconscious that in the context of Philippine politics,
what she uttered to mean thank you was an expression of great irony. And it
even became pathetic when she wished
elections were held everyday.
The money
Tatay Simo earned as election clerk would sustain the family for a month, give
and take three days before going back to root crop subsistence. But those who
would get elected would wallow in endless ostentation.
Tatay Simo
was a very simple man. But for smoking, which was average anyway by normal
reckoning, he had no vices whatsoever. He didn’t drink, never womanized. He
didn’t even have the habit of gallivanting around or spending endless hours
just exchanging tall tales with friends. He minded the family dutifully.
For him, it
had been a daily routine of hard toil, in the field, in the coconut farm, in
the mountain and in the sea, and at infrequent times in public construction
work on the provincial road. The nights, when not out fishing, he spent
teaching Maurito and Raul in their homeworks for school, and then just sitting
on the bamboo bench at the porch, staring into the dark.
That night
before Sunday, it rained. Good enough that he was on the porch so that he was on hand to salvage from the downpour
the hemp he had hung on a line for drying. Feeling the fibers as he secured
them under the house, Tatay Simo shook his head.
He got
inside the house. Maurito and his siblings were slept side by side on a common
mat. Nanay Puping was ironing clothes with charcoal-heated iron. Their youngest
child, the infant Ellen, was on a hammock, which Tatay Simo nudged as he spread
on the floor his own mat for sleeping on. He gently rocked the hammock but the
baby girl cried on.
Nanay
Puping paused from her work to get a bottle filled with what looked like milk,
which she fed into the baby’s mouth. The baby sucked on it
immediately, stopping to cry.
“Where’d
you get money to buy milk?” asked Tatay Simo.
“It’s no
milk,” said Nanay Puping. “It’s am.”
Am is the local term for the
water condensed with rice sap along with its milky color in the process of
cooking the cereal. With sugar, it
tastes nice for drinking.
“Rice sap
for milk,” said Tatay Simo. “What nutrients will Ellen get from it?”
“She
stopped crying, ” Nanay Puping said.
Tatay Simo
lay on the mat.
“Wish Manay
Oliva sent us coffee now.”
Manay
Oliva, or Mamay as Maurito and her other nephews and nieces called her, was a
doting older sister of Tatay Simo and a spinster who had some good job in
Manila. She had been regularly sending
them ground coffee and sugar every month as a ploy. She used to send her regular
financial support to the family through the mail enclosed in a letter in a sealed envelope. But mail sorters at the post office
in Manila could see no matter how vaguely that the letter contained money. And
they found a way of stealing it. They split one end of a stick rendered so thin
as to get it through the fold of the pasted envelope cover and by that caught
the money bill inside the envelope, rolled the bill to the size of the stick
and through the same way it got in, the stick neatly got the money out of the
envelope without opening the cover.
Such
Filipino ingenuity!
So Mamay
Oliva got the opportunity to prove herself more ingenious. She stopped sending
her letters in envelopes. Rather she inserted them together with the money
bills in a pack of ground coffee which
she bundled in a box together with same-size packed sugar. Labeling the package
as simply coffee and sugar, she sent the parcel through the mail. Thus were the
thieving mail sorters outwitted, and Tatay Simo safely got the money from Mamay
Oliva monthly ever since.
The infant
Ellen quieted down in sleep on the hammock. Nanay Puping resumed ironing
clothes.
‘It’s
always a week after the end of the month when Manay Oliva sends the coffee,”
she said. “That’s two weeks from now.”
Tatay Simo
threw on the mat as though in torment.
“What’s it,
Simo?”asked Nanay Puping.
“I grew up
with no father to rely on, but that was because Tatay died when I was just two
years old.”
“What are
you fretting about?”
“How does a
father, alive and strong, say sorry to a son for not being able to give him the
shoes he needs?”
CHAPTER IV
“Pray,” intoned
the priest in the homily, as though to stir Tatay Simo, Nanay Puping and
Maurito from their recollections. “In times of need, pray. No matter the
hardship, pray. No matter the difficulty. Pray, pray. And God will listen…”
Maurito was still praying to himself as he
walked with the family going home from the church. And lo! what greeted his
eyes was a set of boy scout uniform complete with shoes hanging on a clothes
line by the stairs of a two-storey house.
It was the
house of Tang Emoy, his godfather.
Maurito lit
up at the sight. He begged leave of his parents, “I’ll do besa to Tang Emoy.”
Besa
is the Bicol term for the custom of young people in paying respect to
elders by placing on the forehead the right hand of the latter; in Filipino
it’s termed mano. Ka Mao had gone
through no literature about how the practice evolved. He could only surmise
that it developed after the custom of the royalties of Europe who would kiss
the ring of the Pope as a sign of reverence. That practice was brought by
friars to the Philippines during the Spanish conquest. But it would leave a
pungent smell on the friar’s hand when done by the native males who loved to
drink tuba, a wine from the sap of young
coconut fruit, which though sweet in its original state emitted a pungency when
burped from the esophagus of the drinker. In the case of women who loved to
chew nganga, a mixture of tobacco,
lime, the herb buyo and betel nut, the friar squinted at the ugly reddish
residue on their lips. For these reasons, the early Spanish priests had grown
the habit of pulling at their hands
when the natives kissed them, causing the hands to slip upward to the forehead
and get pressed there. Repeated over time, that habit was taken by the natives
as a way of saying that the friar’s hand
on their foreheads was the right way of paying respect. And practiced over 400
years of Spanish colonization, a bad
habit became a hallowed tradition.
For Maurito
that Sunday morning, the habit gave him a most convenient excuse to remedy his
problem. He found Tang Emoy having breakfast at the large table in the dining
room at the back portion of the second floor.
“Good
morning, Godfather,” said Maurito.
“O, hijo. Sit here,” Tang Emoy said. “Join
me for breakfast.”
“I’m done
with breakfast,” said Maurito as he approached the table tentatively.
“I’d like
to borrow…” Maurito held back on his words when he overheard the talk between a
boy, Tang Emoy’s son, and the laundry woman in the backyard.
“My boy
scout uniform? Will wear it tonight for the practice.”
“No, it’ll
get dirty. Wear it in the jamboree. Use your old uniform for the practice.”
Maurito
realized he could not proceed with his intention.
“Borrow
what?” said Tang Emoy. “Come on, sit. Eat.”
“Just been to church. I passed by to make
besa,” came Maurito’s alibi. He took
Tang Emoy’s hand and placed it on his forehead.
“Es tengo santo,” Tang Emoy said,
whatever that meant.
Maurito
turned to walk away.
“Goodbye.”
“Here,”
said Tang Emoy as he got a centavo coin from his pocket. He handed it to
Maurito. “Buy yourself some bread.”
“Dios mabalos,” said Maurito. He took the
coin, pocketing it as he turned away.
Passing the
hung boy scout uniform as he walked down the stairs, Maurito gave in to an idea
he would not think of doing in other circumstances. He made sure that nobody
was looking then quietly took all the boy scout items off the clothes line.
Maurito
clipped the boy scout uniform and shoes in his arms like they were his own as
he strutted on the street very casually, even humming a boy scout song.
Night of Monday next was truly exciting for
Maurito, doing antics in the jamboree together with the other boy scouts which
entertained the spectators. Tang Emoy’s son did as well but kept fidgettng in
his uniform, which was rather tight for his size. But he performed on, doing an
Indian war dance together with Maurito.
Of course,
Maurito had not told his parents the truth. What he told them was that he
borrowed the boy scout uniform and shoes from his classmate. And he was not
lying either. Soon after the affair was over, he sneaked into his godfather’s
compound and returned to the clothesline the items which, he told himself, he
merely borrowed.
That done,
Maurito gently tapped the clothesline and said, “Dios mabalos.”
CHAPTER V
A SHOWMAKER was
what Maurito was greatly turning out to be. He was a favorite performer in town
shows and school programs
At one
time, during the flag ceremony at the Calolbon Elementary School, he was called
by Miss Fe Aldave, his class adviser who was the emcee, to deliver the welcome
remarks impromptu for the provincial public school superintendent, who was the
guest of honor. For that purpose, he went on top of the long concrete water
sink from the back of which rose the flag pole where now flew the Philippine
flag. But as soon as he leaped to the top of
the sink, some naughty girls at the front of the students’ formation cheered,
“In Despair… In Despair…,” referring to a popular hit song. At that, he looked to Miss Aldave, who
already with pride glanced at the special guest, a way of saying that what was
about to transpire was the performance of the school’s star. And she gave the
signal to Maurito to go ahead.
“You taught my heart
how to dream…
The
students burst in applause at that opening strain of the song alone. And they
cheered on and on with every succeeding strain.
Filling
each moment divine
Just for a while you were mine
Now I’m alone in despair…
The
students applauded heartily at the conclusion of the song, whereupon, after
signaling to his fans to quiet down, Maurito proceeded to his remarks.
“But it is
not in despair that our dear Provincial Public School Superintendent has come
to visit us this morning. It is hope that he will bring the good life which we
students of the Calolbon Elementary School are all dreaming of.”
And with
that he introduced the guest of honor, “Dear teachers and fellow students,
please welcome our distinguished guest, the honorable provincial public school
superintendent…” God, he didn’t know the name! He looked to Miss Aldave for
succor. She understood it and took it from there.
“Mister
Venancio Molina!”
The guest
rose from his seat and went over to the front of the water sink, shaking
Maurito’s hand in the process. The students applauded Maurito on when he
returned to their formation. The guest could not quite get himself started
seeing that the applause was not meant for him.
A SCENE STEALER even was Maurito.
One time,
as a fulfillment of an assignment in school, he staged in the classroom a skit
extracted from a film, “Prinsipe Amante” which he had seen in the movie house
in the provincial capitol. It was not just a reading from the script he wrote
which his partakers did but acting complete with swords fashioned from bamboo
sticks, capes made up of their mothers’ tapis
or wrap-around skirts and beards and moustaches done on their faces with
charcoal. Students from the other sections heard about the presentation and
they all rushed to Maurito’s classroom to view it, pressing tight at one
another inside the room, over one another’s shoulders and heads at the door and
at the windows. The teachers could only throw their arms in surrender in their
effort to contain their pupils, if they were not themselves excited to do their
own viewing, even pulling at desks on which to stand just to get a good view of the presentation.
.
Always,
there were two other youth competing with him for fame as enterainer, as was
the case in the past boy scout jamboree. One was Ignacio, a boy with handsome
Spanish features but for eyes that glared as from a white lizard, who sang mimicking
the style of Leopoldo Salcedo, his tongue slightly thrusting outward, eyes
half-closed for feeling – not conscious
of the fact that the movie actor was doing it that way because he was not
actually sounding the words but merely lip-synching, and the singing looked
artificial.
The other
competitor of Maurito was Jose, his classmate, whom Maurito considered a better
performer in the finer points of singing. But in declamation, Maurito was
superior to both. In the jamboree, he awed the big crowd of spectators with his
rendition of Alfred Lord Tennyson’s epic poem, “Charge of the Light Brigade.”
“Forward,
the Light Brigade!”
Was
there a man dismay’d?
Not
tho the soldiers knew
Someone
had blunder’d
Theirs
not to make reply
Theirs
not to reason why
Theirs
but to do and die
Into
the valley of Death
Rode
the six hundred.
That was
the same piece he had practiced painstakingly for performing in the past public
school provincial meet, intending to win the gold medal. He failed on that
occasion for sheer want of a military uniform in which to deliver it, and he gave it in the jamboree the spirit of
battle it depicted, his voice ringing with energy and the precision of
oratorical cadence that stirred the crowd into giving him a rousing ovation.
Cannon
to right of them
Cannon
to left of them
Cannon
in front of them
Volly’d
and thunder’d
Storm’d
at with shot and shell
Boldly
they rode so well
Into
the Jaws of Death
Into
the mouth of Hell
Rode
the six hundred
That was
mid-1954, when the country was brimming with high hopes from the election of
President Ramon Magsaysay, packaged to be the country’s salvation from the
corruption of the past Quirino regime. President Elpidio Quirino had been
pilloried endlessly in the media as
corrupt, one highlight of such corruption being the use of a golden
urinal in Malacanang.
Maurito had
occasion to take a dig at the past
president in the Magsaysay campaign, repeating that golden urinal line during
one rally in the town plaza.
“Ano man na klaseng Presidene iyan si
Quirino? Para maudo, mangaipo pa ning urinolang bulawan. Kita?Tukmo sana sa
malubago, puswit na.” That was Bicol for “What kind of a president is that
Quirino? Just for shitting, he’ll need a golden urinal. Us? Just squat among
the malubago trees and that’s it,
shit.”
Actually,
the boy was being fed with words by elder operators in the campaign. But he
delivered it effectively and the crowd guffawed. After his remarks he descended
the stage while the public address system sounded the “Mambo Magsaysay” as an
intro to the next speaker. He stepped to the mambo tune to the thrill of the
crowd.
In
entertaining his audience, Maurito went as far as doing the acts he observed
from a magician who performed in the last town fiesta. One act was a sleigh of
the hand which caused a coin to vanish. Another was driving of a long nail into
the nose. At the back of the family’s house he improvised a show room in which he
did those tricks to a crowd of young kids who paid their way into the room with
5 matchsticks per head, except when sometimes some wise kid would sneak in when
Maurito was not looking.
Gathered
together, the matchsticks paid him filled up more than two matchboxes, which he
converted to cash by selling them to the store at a discount.
For the
coin act, Maurito earned extra income, because the coin he used was from among
the audience and when it vanished, it necessarily ended up in his pockets. It
was all trick of course, but he had to make it look real or else spoil the
illusion. So the boy who provided the coin paid for the joy of seeing his money
lost. And if another kid wanted the same enjoyment, then he must furnish his
own coin. One boy, though, wouldn’t part with his 1-centavo coin. Why risk his
money when he could have the joy at the expense of somebody else’s money? He
was the same one who had succeeded in getting inside the room unnoticed thereby
seeing the show for free.
Early
picture of a dirty cheat opportunist outwitting a dirty cheat illusionist.
It was
while Maurito was at the nail act when Tatay Simo barged in and flared up at
Maurito’s performance. He snatched the
nail that glistened with mucous from Maurito’s nose.
“You want to
get killed?”
“I know the
magician’s secret, Tatay.”
“You know!
What that magician uses is several layers of thin tin made to look like one
whole piece of nail. When he hammers that nail into his nose, he actually makes
the nail fold up from the tip to the end into a short piece the length of the
interior of his nose. And when he takes out the nail from his nose, he causes
it to lengthen back to the original size.”
“My nail is
no cheat. It’s real.”
“Yes. And
rusty. You could contact tetanus.”
“No, Tatay.
It’s this way…”
Maurito
held back on his words, realizing he could be revealing his magic to his
audience. He pulled Tatay Simo out of the showroom and spoke to him in a hush.
“The secret
is to drive the nail through your nostrils, even down to the opening of your
throat without the nail getting snagged on flesh. Most people don’t know that
the reason you are able to breath is that there is an opening from the lungs to
the nose. Do you know that, Tatay?”
If not for
anything else but a father not wanting a son to put one over him, Tatay Simo
put on an angry mien.
“Enough,
Maurito Enough of your foolishness.”
Tatay Simo
hardly was enthused by Maurito’s shining as an entertainer in the community.
His mind was on a one-track course: Maurito must concentrate on his studies,
that’s the only way he can lift their family from poverty. With his meager
talent and resources, Tatay Simo felt even then that there was nothing more he
could do to improve the condition of the family. He pinned all his hopes in
this regard on the studies of Maurito.
“We should
be thankful that your Mamay Oliva is willing to finance your studies all the
way to college. Please, son. You are my only hope of a good life for your
brothers and sisters.”
The words
struck Maurito hard. It was not a father’s plea; it was a mandate.
The days
that followed saw him just paying attention to his studies. He excelled in
recitation in class, spent long hours at night doing his homework, did
woodworking for his vocational subject, and gardening, too, by planting pechay
on a plot among others at the back of the school beyond the track and field
grounds. On weekends he vended his vegetable harvest around town, if not the
catch of Tatay Simo from fishing the night before, or otherwise helping him out
together with Nanay Puping in making
hemp or copra.
Maurito
failed to graduate valedictorian. He lost it to a girl who was at the
background all the while that he was shining as a campus star. The girl was
bright, too, all right, but she came from a rich family and it seemed that all
things being equal, in a world without shoes, even such things as graduation
honors are determined by one’s consistency in having worn them all the days of
your schooling. Maurito had not, the girl had, in all of those days.
This shoe
fact was illustrated in, literally, graphic terms by the braggart Ignacio who
had his parents gifting him -- right on stage for all the world to see – with a
new pair of shoes with which he replaced the ones he was wearing.
But they
just could not leave out Maurito from the honors. They proclaimed him: “Most
voracious reader.”
That
was honor enough for Mamay Oliva, who had monitored his studies all the way.
She made sure Maurito was well provided for on his graduation day. She had sent
him a new pair of shoes for the commencement exercises.
CHAPTER VI
MAURITO wore the
same shoes when for the first time, he made a travel away from home. As he
boarded the old launch that regularly plied the route to Tabaco, Albay across
San Bernardino Strait, he already felt a nascent homesickness which spread a
fiery lump in his breast on which he felt choking, but did not. He controlled
his tears and even smiled as he waved goodbye to his folks, themselves waving
on the dock. Tatay Simo was not there; he did not want to see Maurito go.
Tatay Simo
was a very reserved man, an introvert who most of the time kept his thoughts to
himself. Back at home that morning, even while Nanay Puping was profuse with
advice to Maurito about the “temptations” he was prone to encounter in Manila,
Tatay Simo kept quiet as he bundled up Maurito’s luggage consisting of a rattan
bag filled with Maurito’s clothes and another native bag containing items for
gifting Mamay Oliva with: two varieties of rice cake wrapped in coconut leaves
called suman and pinironan, kamote candy
called molido, dried fish, and kamote. And when Nanay Puping grew
sentimental with her advice to Maurito, Tatay Simo feigned irritation to hide
his own emotions.
“Ay, son,”
Nanay Puping cried now, “if we were not poor, we would not let you go away.”
“Enough,
Puping, will you. Maurito will be late,” Tatay Simo said, thrusting the luggage
to Maurito and then giving him a slight push. “Hurry up.”
Tatay Simo
walked away hurriedly
“You said
Maurito would be late. Where are you going? We’re seeing him off at the pier.”
“You see
him off. Take the children with you.”
MAURITO was sad at the recollection. He was aboard a bus
that would take him to Legaspi where to take the train to Manila. The sun was
setting, but it was still bright enough for him to enjoy the scenery.
Mayon Volcano didn’t look as nice as it
was viewed from the shoreline of Calolbon. From the traveling bus, Mayon was
just a highlight in the rugged row of mountains Maurito would cross in a long,
long journey to Manila.
Yonder, the
sun set…